Dear Leader
May 3 - June 14, 2019
Shelby Lee Adams, Steve and Francis
Dear Leader is a multimedia exhibition that casts a light on the existential weight of nuclear proliferation and the harrowing threat of nuclear violence. These fears generate a deep undercurrent of uncertainty that rests underneath our daily lives. The participating artists seek to provide personal reflections on the past and ask us to consider, if just for the moment, the present and future concerns of nuclear proliferation against our current geopolitical landscape.
Eight artists – Linda Alterwitz, Takashi Arai, Cornelia Hesse-Honegger, Kei Ito, Michael Light, Noah Scalin, Paul Shambroom, Elin O’Hara Slavick – blurring the line between art and activism, survey the magnitude of this subject from different vantages. Michael Light draws his work directly from photographic archives of nuclear bomb tests from 1945 and 1962. Elin O’Hara-Slavick affixes shadows and time through photograms and rubbings of places and objects that survived the aftermath of Hiroshima. Takashi Arai’s video 49 Pumpkins highlights the pumpkin bombs, used in target testing throughout Japan during, suggesting all the possible ‘ground zeros’ of World War II had Japan not surrendered. Cornelia Hesse-Honegger‘s scientific drawings delicately detail the effects of nuclear fallout on a number of insect species living in radioactive locations such as Chernobyl. Noah Scalin renders permanent shadows of nuclear physicists, lighting matches to create images captured in carbon. Kei Ito, a third generation Hiroshima survivor, explores the connection of his family history and long-term effects of nuclear radiation. Linda Alterwitz builds layered portraits from medical imaging machines creating an intersection between science and the human psyche. Between 1992 and 2001, Paul Shambroom made photographs of nuclear weapon facilities throughout the United States, a document of the American military-industrial complex, which grows even more problematic as it ages.
Simmering concerns of nuclear catastrophe for future generations fuel the work and support for this exhibition. Our hope is that Dear Leader, contributes to the ongoing international dialogue about the risks of nuclear confrontation, the deterioration of arsenals globally, the volatility of nation states and, ultimately, the consequences of reckless leadership.
Support for Dear Leader, has been generously provided by Michael Schewel.

Michael Light, 076 WAHOO/9 kilotons/Enewetak Atoll/1958. Archival Pigment Print 11 x 14 inches, Edition of 5.

Michael Light, 019 SIMON/43 kilotons/Nevada/1953. Archival Pigment Print, 16 x 20 inches, Edition of 5.

Michael Light, 057 BAKER, Archival Pigment Print. 16 x 20 inches, Edition of 5.

Michael Light, 073 MAGNOLIA/57 kilotons/Enewetak Atoll/1958. Archival Pigment Print, 16 x 20 inches, Edition of 5.

Michael Light, 063 KING/500 kilotons/Enewetak Atoll/1952. Archival Pigment Print, 16 x 20 inches, Edition of 5.

Michael Light, 005 HOW/14 kilotons/Nevada/1952. Archival Pigment Print, 20 x 16 inches, Edition of 5.

Michael Light, 062 SEQUOIA/5.2 kilotons/Enewetak Atoll/1958. Archival Pigment Print, 11 x 14 inches, Edition of 5.

Michael Light, 042 EASY/31 kilotons/Nevada/1955. Archival Pigment Print, 11 x 14 inches, Edition of 5.

Michael Light, 001 CHARLESTON/12 kilotons/Nevada/1957. Archival Pigment Print, 20 x 24 inches, Edition of 5.

Michael Light, 004 HORNET/4 kilotons/Nevada/1955. Archival Pigment Print, 20 x 16 inches, Edition of 5.

Michael Light, 032 PRISCILLA/37 kilotons/Nevada/1957. Archival Pigment Print, 11 x 14 inches, Edition of 5.

Michael Light, 006 Project TRINITY/21 kilotons/New Mexico/1945. Archival Pigment Print, 16 x 20 inches, Edition of 5.

Micheal Light, 008 STOKES/19 kilotons/Nevada/1957. Archival Pigment Print, 32 x 40 inches, Edition of 5.

Michael Light, 029 TURK/43 kilotons/Nevada/1950s. Archival Pigment Print, 20 x 16 inches, Edition of 5.

Michael Light, 024 SMOKY/44 kilotons/Nevada,1957. Archival Pigment Print, Edition of 5, 19 x 28 inches.

Michael Light, 024 SMOKY/44 kilotons/Nevada,1957. Archival Pigment Print, Edition of 5, 19 x 28 inches.

Micheal Light, 037 ZUCCHINI/28 kilotons/Nevada/1955. Archival Pigment Print, 20 x 24 inches, Edition of 5.

Michael Light, 085 FRIGATE BIRD/600 kilotons/North of Christmas Island/1962. Archival Pigment Print, 11 x 14 inches, Edition of 5.
Manhattan Project: Otto Frisch (after), 2014
Noah Scalin
Unique, Burned Paper Print
29 x 36 inches
Manhattan Project: Edward Teller (after), 2014
Noah Scalin
Unique, Burned Paper Print
29 x 36 inche

Paul Shambroom, Combat Alert Facility for bomber crews, Ellsworth Air Force Base, South Dakota, Color Coupler Print, 30 X 37.5 in, AP 2 of 2.

Paul Shambroom, Minuteman II Missile in Transporter Erector Vehicle, Ellsworth Air Force Base, South Dakota Color Coupler Print, 30 x 37.5 inches, AP 2 of 2

Paul Shambroom, Peacekeeper Missile W87/Mk-21 Reentry Vehicles (warheads) in storage, F.E. Warren Air Force Base, Cheyenne, Wyoming, Color Coupler, Print 30 x 37.5 inches, AP 2 of 2

Paul Shambroom, Minuteman II Missile in Transporter Erector Vehicle, Ellsworth Air Force Base, South Dakota, Color Coupler Print, 30 x 37.5 inches, AP 2 of 2
Fukushima Persimmon Tree Heavy w/ Contaminated Fruit
Elin O’Hara Slavick
Archival Pigment Print
41 x 32 inches
Edition of 5
Lingering Radiation
Elin O’Hara Slavick
Silver Gelatin Contact Print (of x-ray film exposed by the lingering radiation in a fragment of an A-Bombed tree trunk artifact from the Hiroshima Peace Memorial Museum)
13 x 16 inches
Edition of 5

Elin O’Hara Slavick, Bank Floor. silver gelatin contact print of rubbing of the floor in the bank that survived the A-Bomb in downtown Hiroshima, now a cultural art center where this was once exhibited. 32"x45" framed

Elin O’Hara Slavick, Basement Door. Silver gelatin contact print of rubbing of steel door in the basement where Mr. Nomura Eizo survived the A-Bomb when he went down to retrieve some paperwork; when he came back upstairs, everything was gone and everyone dead. 32" x45" framed, Edition of 5

Elin O’Hara Slavick, Belt Buckle and Metal Fragment, Unique, Cyanotype of A-Bomb Artifacts from the Archive at the Hiroshima Peace Memorial Museum, 10 x 12 inches

Elin O’Hara Slavick, Eucalyptus Leaves from an A-Bombed Hiroshima Tree, Cyanotype toned in tannic acid, 25 x 34 inches

Elin O’Hara Slavick, Hair Comb, Unique, Cyanotype of A-Bomb Artifacts from the Archive at the Hiroshima Peace Memorial Museum, 10 x 12 inches

Elin O’Hara Slavick, Hypocenter, Silver Gelatin Contact Print of Rubbing (of the sidewalk at the hypocenter in Hiroshima) Edition of 5, 22 x 26 inches

Elin O’Hara Slavick, Hiroshima Ladder, Unique, 5 Cyanotype panels of ladder in Hiroshima, 110 x 30 inches

Elin O’Hara Slavick, Little Bottle, Unique, Cyanotype of A-Bomb Artifacts from the Archive at the Hiroshima Peace Memorial Museum, 10 x 12 inches
Untitled #104, 2014
Linda Alterwitz
Archival Pigment Print
29 x 35 inches
Edition of 10

Linda Alterwitz, Untitled #37, 2012 Archival Pigment Print, 33 x 33 inches, Edition of 10

Linda Alterwitz, Untitled #94, 2013, Archival Pigment Print, 27 x 43 inches

Linda Alterwitz, Untitled #16, 2010 Archival Pigment Print, 33 x 33 inches, Edition of 10
It Made Angels Out of Everybody, 2017, Kei Ito, Unique, C-Print, 16 x 20 inches

Kei Ito, Sungazing 59/108, 2015 Archival Pigment Print in Burnt Wooden Frame 8 x 10 inches Edition of 3

Kei Ito, Sungazing 24/108, 2015 Archival Pigment Print in Burnt Wooden Frame 8 x 10 inches, Edition of 3

Kei Ito, Sungazing 35/108, 2015 Archival Pigment Print in Burnt Wooden Frame 8 x 10 inches Edition of 3

Kei Ito, Hymn For a Lost Tomorrow, 2018 Unique: Burnt Sunflower Seeds, CRT TV, 2-Channel Audio Composed by Andrew Keriper, 4 x 4 feet

Kei Ito, Ravaged Flower of the Future, 2018 3 Unique C-Prints in Burnt Wooden Frames 60 x 21 inches

Kei Ito, A Nation Follows Where It Leads, 6/14/2018, 3 Unique, C-Prints, 37 x 25 inches (each)

Kei Ito, Ravaged Flower of the Future, 2018 3 Unique C-Prints in Burnt Wooden Frames 60 x 21 inches

Kei Ito, Liminal Spaces, 2018 4 Unique Tintypes w/ 4 Burnt Studs 50 x 50 x 44 inches

Courtesy of Mike Schewel, The Baker Day explosion of the fifth atomic bomb, 1946, Navy Task Force One Photo, NFS

Courtesy of Mike Schewel, Correspondence letter from Karl C. Weber to Professor Eugene C. Starr, 1946, NFS

Courtesy of Mike Schewel, Hotel Whitcomb, September 1946, NFS

Courtesy of Mike Schewel, AF # 434-4, 1946 Joint Army Navy Task Force One Photo, NFS

Courtesy of Mike Schewel,

Courtesy of Mike Schewel, It flies through the air with the greatest of heat, 1946 Joint Army Navy Task Force One Photo, NFS

Courtesy of Mike Schewel, AF # 434-11 (drone footage of Baker Day explosion), 1946 Joint Army Navy Task Force One Photo, NFS

Courtesy of Mike Schewel, AF # 434-10 (drone footage of Baker Day explosion), 1946 Joint Army Navy Task Force One Photo, NFS

Courtesy of Mike Schewel,AF # 434-8 Navy Task Force One Photo, NFS
Four Seed Bugs, Lygaeus equestris, from Tubre and Santa Maria Madonna, Italy, Zurich, 1994-95, Cornelia Hesse-Honegger
Archival Pigment Print of Original Watercolor Illustration, 13 x 19 inches

Cornelia Hesse-Honegger, Spider Abdomen, Gockhausen, 1979, Archival Pigment Print of Original Watercolor Illustration, 13 x 19 inches

Cornelia Hesse-Honegger, Soft Bug, Deraeocoris (presumably) from Gosgen, Switzerland, Zurich, 1988 Archival Pigment Print of Original Watercolor Illustration, 19 x 13 inches

Cornelia Hesse-Honegger , Ivy Leaf from Widisch, Switzerland, Zurich, 1988 Archival Pigment Print of Original Watercolor Illustration, 19 x 13 inches

Cornelia Hesse-Honegger, Scentless Plant Bug, Corizus hyoscyam from Wurenlingen, Switzerland, Zurich, 1988-89,Archival Pigment Print of Original Watercolor Illustration, 19 x 13 inches

Cornelia Hesse-Honegger , Tree Bug from Salvoutich, Ukraine, Zurich, 1991 Archival Pigment Print of Original Watercolor Illustration, 19 x 13 inches

Cornelia Hesse-Honegger , Cabbage Bug, Eurydema oleraceum from Rohr, Switzerland, Zurich, 1995. Archival Pigment Print of Original Watercolor Illustration, 19 x 13 inches

Cornelia Hesse-Honegger ,Squash Bug, Coreus marginatus from Rohr, Switzerland, Zurich, 1995, Archival Pigment Print of Original Watercolor Illustration 19 x 13 inches

Cornelia Hesse-Honegger, Ivy Leaves from Medrisio, Switzerland, Zurich, 1987, Archival Pigment Print of Original Watercolor Illustration 13 x 19 inches

Cornelia Hesse-Honegger, Stink-bug, Pentatoma rufipes, Munstertal, Switzerland, Zurich, 1992-93, Archival Pigment Print of Original Watercolor Illustration, 19 x 13 inches

Cornelia Hesse-Honegger , Fly Backs, Archival Pigment Print of Original Watercolor Illustration 1985

Cornelia Hesse-Honegger , Striped Bug, Graphosoma Lineatum, from Rohr, Switzerland, Zurich, 1995, Archival Pigment Print of Original Watercolor Illustration, 19 x 13 inches