STAY IN THE LOOP
WITH CANDELA ARTIST AND EXHIBITION FEATURES
EXHIBITION: Portals II
Candela Gallery is excited to announce a solo exhibition by Richmond, Virginia-based artist Susan Worsham, opening November 1st. Renowned for her vibrant use of color, Worsham’s upcoming show, Crystals of Silver, draws inspiration from her extensive collection of microscope slides and will feature a limited edition series of rarely seen black-and-white photographs.
EXHIBITION: Crystals of Silver
Candela Gallery is excited to announce a solo exhibition by Richmond, Virginia-based artist Susan Worsham, opening November 1st. Renowned for her vibrant use of color, Worsham’s upcoming show, Crystals of Silver, draws inspiration from her extensive collection of microscope slides and will feature a limited edition series of rarely seen black-and-white photographs.
GALLERY TAKEOVER: Abstract Land & Filing Co.
Candela Gallery is thrilled to announce a gallery takeover by Charlottesville, Virginia-based artist and community organizer Morgan Ashcom. Titled the Abstract Land & Filing Co. (ALFC), this exhibition will be Ashcom’s second at Candela, continuing to showcase his love for parafiction and collaboration.Since 2018, Ashcom has operated his studio practice out of an industrial warehouse in Charlottesville, Virginia. At one time, employees at this commercial building manufactured products for the analog data industry, commonly referred to as the visible records industry. While the factory is no longer in operation, Ashcom has spent the past seven years reimagining this property to feature a community-directed commons and art space called Visible Records, nestled within a constellation of blue-collar workers.
EXHIBITION: I am an unruly wind
Candela gallery is excited to share the monumental, colorful mixed media works of Massachusetts based artist, Daisy Patton. Patton utilizes scale, color, and presentation to elevate the found photograph to an iconographic status, breathing life and distinction into forgotten faces. The gallery will be featuring 14 pieces in Patton’s exhibition, I am an unruly wind beginning Friday, May 3 and remaining up through Saturday, June 22.
ARTIST FEATURE: Nick Lenker’s IRL OBJECTS
Nick Lenker’s IRL Objects are made from a slab ceramic technique with a photo-ceramic decal process. Lenker creates objects made with the visual language of video games and 3D modeling, utilizing found and created imagery inspired by gaming, religion, art history, and personal relationships. Learn more about Philadelphia artist Nick Lenker's mixed media objects, on view at Candela Gallery through April 20.
NCECA WEEK EXTENDED HOURS:
Candela Gallery is pleased to present a fresh selection of inventory by mixed media artist Holly Roberts, one of three solo features by artists incorporating the photographic image from the perspectives of ceramics and painting. These exhibitions open Friday, March 15th, running alongside the 2024 NCECA ceramics conference (March 20 – 23) and closing Saturday, April 20th, 2024.
EXHIBITION: THE WHITE HOUSE CHINA
Candela Gallery is pleased to present images from Kathleen Clark’s series, The White House China. Clark’s is one of three solo features by artists incorporating the photographic image from the perspectives of ceramics and painting. These exhibitions open Friday, March 15th, running alongside the 2024 NCECA ceramics conference (March 20 – 23) and closing Saturday, April 20th, 2024.
EXHIBITION: Big Head (Thinking)
Candela Gallery is pleased to present a fresh selection of inventory by mixed media artist Holly Roberts, one of three solo features by artists incorporating the photographic image from the perspectives of ceramics and painting. These exhibitions open Friday, March 15th, running alongside the 2024 NCECA ceramics conference (March 20 – 23) and closing Saturday, April 20th, 2024.
EXHIBITION: IRL OBJECTS
Candela Gallery is pleased to present Nick Lenker’s ceramic exhibition, IRL OBJECTS, one of three solo features by artists incorporating the photographic image from the perspectives of ceramics and painting. These exhibitions open Friday, March 15th, running alongside the 2024 NCECA ceramics conference (March 20 – 23) and closing Saturday, April 20th, 2024.
EXHIBITION: Memory Orchards
Please join Candela Gallery for the exhibition coinciding with our latest book project, Memory Orchards, from January 19th-March 2nd
EXHIBITION: (de)constructed
Happy New Year from Candela Gallery! We're excited to kick off 2022 with a group exhibition, (de)constructed. The show brings together eight artists who physically and/or digitally alter their work by cutting, sculpting, and reconstructing the image using various materials.
EXHIBITION: Scratch Drawings
Candela Gallery is excited to mount its first solo show by Washington, DC-based artist, Caitlin Teal Price. Through photography and deliberate, delicate mark-making, Price carves gestural patterns and shapes into the surface of her prints. Built on photographs of sunlight, seeping through the windows of her home, these Scratch Drawings are an exploration of the ritual and routine found in the undercurrents of Price's daily life.
EXHIBITION: Dr. Falke’s Oraculum
Please join Candela Gallery for the opening of Kahn & Selesnick’s latest book project and exhibition, Dr. Falke’s Oraculum, on Friday, November 5th, from 5-8 pm.
HANAFUDA SHOUZOKU: FAQ
The large, vibrant collages of decaying food by artist Shinya Masuda have invited many conversations, and questions, since they’ve been on view in the gallery. From “where are the originals,” to “what is a Hanafuda,” there’s plenty to talk about! We’ve gathered some answers from the artist and done some digging to give you a breakdown of the inspiration and process behind these magnetizing images.
Gita Lenz: A Candela Origin Story by Gordon Stettinius
In many ways, my relationship with Gita and her work is Candela's origin story. I founded Candela Books in 2010 to publish a monograph of Lenz’s work. At the time, we managed to secure the interest of Tom Gitterman, who owns a premier photo gallery in New York City, Gitterman Gallery. Tom appreciated her early adaptation of abstract expressionism and was especially drawn to the quality of her prints. Later that same year, Tom mounted a solo exhibition of her work. Although Gita wasn't well enough to attend the opening events, between the book and the exhibition, I felt she had a sense that her work was being seen and appreciated once again.
EXHIBITION: Hanafuda Shouzoku by Shinya Masuda
Candela Gallery is thrilled to announce HANAFUDA SHOUZOKU, a solo exhibition by Japanese photographer, Shinya Masuda. The exhibition will open this Friday, May 7th, from 5 - 8pm and continue through June 18th.
EXHIBITION: From the Archive with Gita Lenz
Candela Gallery is delighted to revisit the work of Gita Lenz (1910-2011). Lenz was Candela's first book project and one of the gallery's first exhibitions. Almost ten years later, From the Archive with Gita Lenz, features a series of Lenz's black and white vintage photographs. The exhibition will open this Friday, May 7th, from 5 - 8pm and continue through June 18th.
EXHIBITION: High Water
Candela Gallery is thrilled to present High Water, a debut solo exhibition by Richmond, Virginia based photographer, Emily White. In response to our modern world, inundated by digital diversions and perpetual tail-chasing, Emily White has staked out essential and reverent landscapes. White approaches the landscape genre using a mix of 19th century and contemporary processes and manages to bridge the nostalgia for a familiar place and the discordant emotions of the southern wilds.
EXHIBITION: Photography is Dead...
Candela Gallery is kicking off 2021 with a timely exhibition featuring works by 33 international and national artists.
EXHIBITION: 3436 – Ohemaa Dixon
Candela Gallery is honored to feature an installation of 3436, an ongoing project by Ohemaa Dixon. Experiencing Dixon’s work in person is essential to understanding the artist’s intention. Working as an interdisciplinary artist, Dixon’s large scale works, printed on Habotai Silk, are a direct response to the history and visual trauma of lynching.