Candela Gallery is pleased to present Stranger in the Village by Connecticut based artist and educator, Gary Burnley. Titled after a seminal essay by James Baldwin, Burnley's series, comprised of formal collages, challenges and re-imagines historical portraiture and other narrative, painting conventions emblematic of western culture and history. The artist's process is intuitive, drawing from personal, historical, and collective experiences; each piece is cut from reproductions of traditional portraits, sketches, family archive imagery and yearbook photographs, then carefully reconstructed allowing new meanings to emerge.

Candela Gallery is excited to announce Primitive Visions, the gallery’s debut solo show by mixed-media artist and educator, Holly Roberts. Applying both photography and painting to her practice, Robert’s newest exhibit presents dream-like portraits of the recognizable: familiar places, scenes, and subjects that have been reconstructed and embellished by Robert’s use of collage.

wILD cLAY is an exhibition of artworks by Tim Roda, exploring clay and photography as artistic mediums connected by uncharacteristic utility. The works in this exhibition embrace the functional history of clay as a vessel, making photography and material a means of exploratory documentation. The vessels in wILD cLAY function as clay cameras, while also existing as fragile, earthen material and crudely created domestic ecosystems. The resulting pinhole cameras and large scale photographs present questions about freedom and responsibility, raised by curiosity and ingenuity, with regard to our constructed and natural environments.

Candela Books + Gallery is pleased to present a solo exhibition of new works by David Emitt Adams. The exhibition will open on Friday, September 6th and will be on view through Sunday, October 27th. Please join us for an opening reception and artist talks on Thursday, September 5th, from 5- 8 pm.

Dear Leader is a multimedia exhibition that casts a light on the existential weight of nuclear proliferation and the harrowing threat of nuclear violence. These fears generate a deep undercurrent of uncertainty that rests underneath our daily lives. The participating artists seek to provide personal reflections on the past and ask us to consider, if just for the moment, the present and future concerns of nuclear proliferation against our current geopolitical landscape.

Candela Gallery is pleased to open 2019 with #InHonor, a solo exhibition by Ervin A. Johnson. Spurred by personal experiences as a queer Black man and the killing of Black people across America, #InHonor is a series of photographic mixed media portraits that stand as a visceral response to racism and police brutality done to the Black body.

Candela Gallery is pleased to present ATOM | PLANET, a solo exhibition by Brooklyn-based artist, Anne Arden McDonald. Within this series McDonald creates photographic works imbued with celestial and atomic aesthetics. Approaching her darkroom process like a sort of alchemy, McDonald captures a dialogue nebulously drifting between mediums by testing materials and techniques through experimentation, noting variables, and observing the results, and amending processes.

In his first solo exhibition at Candela Gallery, Harrison Walker presents his Portals project, highlighting a mix of photographic processes through a series of abstract works. In Walker’s words, the series is “an investigation of photographic chemistry, psychological perceptions, and ideas of duplication, mimicry, and the multiple.” Through experimentation and discovery the varied effects of his photographic, printmaking, and drawing techniques, seek to elicit not only an emotional but also a fundamentally experiential viewing.

Chris McCaw returns to Candela Gallery in his second solo exhibition featuring work from his recent projects, as well as new work from his Sunburn series. Over the last decade, Chris has continued to push the boundaries of the photographic medium, sharing his unconventional techniques for capturing the movement and the power of the sun as it travels through his viewfinder. With hand-built cameras and vintage photographic paper, McCaw creates unique pieces documenting the sun’s movement through illusory land and seascapes. Long exposures throughout a day, or over multiple days, materialize as marks and burns made directly by the sun’s light as it exposes the paper. As McCaw writes, through this collaborative process, “the sun has become an active participant in part of the printmaking.”

Candela Gallery is pleased to present “Theory of Place,” a group exhibition featuring photographic work by Marcus DeSieno, Courtney Johnson, Camilo Ramirez, and Justin James Reed.

Often, we introduce ourselves by where we come from or where we live, and sometimes, by where we do not. Our environment influences our identity. Inversely, we define locations by giving names to them. The aura of a place is tethered to both physical and cultural perceptions, but what happens when this delicate balance is altered and that tether is warped or frayed at the edges?

Subject to Change centers around seven artists who use traditional photographic processes to revive lost or discarded everyday objects. Each appropriated piece offers it’s own course in which to channel history, precipitating new stories through a range of alternative processes including wet plate collodion, silver gelatin prints, image transfers on film, collage, and 3-D mixed media objects.

Candela Books + Gallery is pleased to present Andreas Rentsch: Experiments in Time, a comprehensive view of Rentsch’s photographic career.

Andreas Rentsch is a New York based photographer who deliberately challenges conventional approaches to photography. Though Rentsch’s works exemplify the literal definition of photography, ‘writing with light,’ his emphasis on experimentation and chance yields an innovative hybrid of analog photography, uncertainty, and performance art.

This fall, Louviere + Vanessa will transform Candela Books + Gallery into an immersive, multi-sensory environment, incorporating animated vinyl record, film, and abstract photographs. Their new series, Resonantia is a reflection of their extensive exploration through a multitude of media, blurring the line between sight and sound.