wILD cLAY is an exhibition of artworks by Tim Roda, exploring clay and photography as artistic mediums connected by uncharacteristic utility. The works in this exhibition embrace the functional history of clay as a vessel, making photography and material a means of exploratory documentation. The vessels in wILD cLAY function as clay cameras, while also existing as fragile, earthen material and crudely created domestic ecosystems. The resulting pinhole cameras and large scale photographs present questions about freedom and responsibility, raised by curiosity and ingenuity, with regard to our constructed and natural environments.

Chris McCaw returns to Candela Gallery in his second solo exhibition featuring work from his recent projects, as well as new work from his Sunburn series. Over the last decade, Chris has continued to push the boundaries of the photographic medium, sharing his unconventional techniques for capturing the movement and the power of the sun as it travels through his viewfinder. With hand-built cameras and vintage photographic paper, McCaw creates unique pieces documenting the sun’s movement through illusory land and seascapes. Long exposures throughout a day, or over multiple days, materialize as marks and burns made directly by the sun’s light as it exposes the paper. As McCaw writes, through this collaborative process, “the sun has become an active participant in part of the printmaking.”

Candela Gallery is excited to present the first show of the new year: Science as Muse, an exhibition featuring photographic works from Walter Chappell, Caleb Charland, Rose-Lynn Fisher, Pam Fox, Daniel Kariko, Michael Rauner, Robert Shults, and Susan Worsham.

The eight artists in Science as Muse share a particular interest in science, though their artistic interpretations vary dramatically. Included in this exhibition are artists who have been caught up in the documentation of the incredible worlds within which scientists practice their craft. Other artists use sophisticated equipment made possible only by modern scientific innovation. Some approach their creation through the foundational scientific process, asking questions and applying scientific method, producing unexpected results. Finally, there are those artists who have recontextualized science and its paraphernalia, imbuing or even circumventing the essence of time-tested practical applications with aesthetic pursuits.