We're sharing a spotlight of inventory that we're feeling right now as we celebrate mother figures this weekend (and every day). Take a look at some available inventory revolving around motherhood, spring, and the photographic object. 

Candela Gallery is excited to announce the artist roster for our thirteenth annual UnBound! Exhibition. The selected and invited artists for UnBound13! will have works on display at Candela Gallery from Friday, July 5th - Saturday, August 3rd, 2024. Submission will be open through March 29, 2024 at 11:59PM.

Candela gallery is excited to share the monumental, colorful mixed media works of Massachusetts based artist, Daisy Patton. Patton utilizes scale, color, and presentation to elevate the found photograph to an iconographic status, breathing life and distinction into forgotten faces. The gallery will be featuring 14 pieces in Patton’s exhibition, I am an unruly wind beginning Friday, May 3 and remaining up through Saturday, June 22.

Nick Lenker’s IRL Objects are made from a slab ceramic technique with a photo-ceramic decal process. Lenker creates objects made with the visual language of video games and 3D modeling, utilizing found and created imagery inspired by gaming, religion, art history, and personal relationships. Learn more about Philadelphia artist Nick Lenker's mixed media objects, on view at Candela Gallery through April 20.

Candela Gallery is pleased to present a fresh selection of inventory by mixed media artist Holly Roberts, one of three solo features by artists incorporating the photographic image from the perspectives of ceramics and painting. These exhibitions open Friday, March 15th, running alongside the 2024 NCECA ceramics conference (March 20 – 23) and closing Saturday, April 20th, 2024.

Candela Gallery is pleased to present images from Kathleen Clark’s series, The White House China. Clark’s is one of three solo features by artists incorporating the photographic image from the perspectives of ceramics and painting. These exhibitions open Friday, March 15th, running alongside the 2024 NCECA ceramics conference (March 20 – 23) and closing Saturday, April 20th, 2024.

Candela Gallery is pleased to present a fresh selection of inventory by mixed media artist Holly Roberts, one of three solo features by artists incorporating the photographic image from the perspectives of ceramics and painting. These exhibitions open Friday, March 15th, running alongside the 2024 NCECA ceramics conference (March 20 – 23) and closing Saturday, April 20th, 2024.

Candela Gallery is pleased to present Nick Lenker’s ceramic exhibition, IRL OBJECTS, one of three solo features by artists incorporating the photographic image from the perspectives of ceramics and painting. These exhibitions open Friday, March 15th, running alongside the 2024 NCECA ceramics conference (March 20 – 23) and closing Saturday, April 20th, 2024.

Candela Gallery is excited to announce the open call for our thirteenth annual UnBound! Exhibition. The selected and invited artists for UnBound13! will have works on display at Candela Gallery from Friday, July 5th - Saturday, August 3rd, 2024. Submission will be open through March 29, 2024 at 11:59PM.

Please join Candela Gallery for the exhibition coinciding with our latest book project, Memory Orchards, from January 19th-March 2nd

A letter (three, actually) from Candela founder, Gordon Stettinius, as we wrap up 2023 and look to 2024.

Candela Gallery is pleased to announce Conjuring the Composition, a photography and painting exhibition by Richmond artist Willie Anne Wright, opening November 3, 2023.

Candela Gallery is pleased to announce Conjuring the Composition, a photography and painting exhibition by Richmond artist Willie Anne Wright, opening November 3, 2023.

Through various meticulous assemblage techniques, ALTERED features fabricated environments, imaginative dialogues, and memorials while examining alternative approaches to image-making.

Through the lenses of the natural landscape and propaganda imagery, Angle of Draw examines the intersections of power, sustainability, and whiteness in the United States. Bush draws from propaganda imagery from the 1960s and 1970s to create starkly lit black-and-white photographs in the studio and the physical landscape. Throughout his process, Bush considers the impact of the fossil-fuel industry on the natural environment, local economy, and future prospects of those left behind by corporations.

UnBound12! Artist Features

UnBound12! Artist Features

UnBound12! Artist Features

UnBound12! Artist Features